Categories
mobile radio

Nokia Visual Radio – Redux

Nokia Visual Radio on a handset

 

Installations Folder on N76 by RafeB @ flickr

Nokia Visual Radio had everything going for it, so why hasn’t it taken off?

The premise of adding visual and interactive content to radio has been proven by various research projects, and Nokia showed an outstanding commitment by putting the client software on virtually every one of their mainstream handsets for the last couple of years. Given the normal churn rate of handsets, that must mean that virtually every Nokia phone in mainstream use (and in turn, the majority of handsets in use) has access to the service. That’s millions and millions of consumers in most European countries who could access synchronised visual content from radio stations, and interact. From a commercial point of view, it ought to be an incredibly powerful proposition – direct response to radio/visual advertising from mobile handsets.

So why are there only 3 UK radio stations participating? Why are there less than 20 stations worldwide using the technology?

The biggest single stumbling block has been a comprehensive mis-understanding of the degree of effort radio stations were able (or willing) to put into producing the service. The initial software was so laughably bad, it was actually comical. I know one station that pretty much had three people authoring the output in real-time; that’s not software, that’s a pair of lead-boots. Nokia had advisors with plenty of technology experience, it’s fascinating to see such a disconnect with the real world of radio.

I was really pleased to see this critical bit of the chain fixed recently, with the news that RCS’s excellent (and frankly, visionary) Radioshow software is going to be the authoring tool for radio stations. Or more to the point, it allows radio stations to enter the Visual Radio business by simply piping their “playing now” information from their playout system through to RCS. Hopefully by dramatically lowering the bar, there will be far more stations on the service, creating the critical mass to make it a mainstream success.

There are more things that could be improved with Nokia Visual Radio – it should use RDS to identify a station and start the NVR service, rather than the extremely clunky directory system; and of course, the best way to deliver radio and data services to mobile devices is DAB Digital Radio. But I would say that Nokia have already invested a lot in Nokia Visual Radio, so for the time being it might be good for the radio industry to show some interest in return.

Categories
radio

Join the team

Speak and Spell

Circuit Bent Speak and Spell by jamie_hladky @ flickr (CC-BY)

If you’re a radio loving tech geek (here’s hoping I’m understanding at least one of my audience segments), then there’s an opportunity to join the Creative Technology team at GCap Media, based in Central Bristol.

If you’re a relatively accomplished Java (J2EE) developer who knows about things like webservices, RMI, Jini, and can do a bit of light project organisation (definately not full scale project management though), then this might be a good job for. If you love using technology creatively, and love the idea of being involved with early-phase technology development, it might be even more of a job for you. Knowing some PHP/XHTML/CSS, and loving music and radio would top it all off.

Drop me an e-mail if you want the full job info. (I can recommend relocation from London to Bristol, by the way).

Categories
dab digital radio radio real life technology

Long range radar calibration available

Radio At The Edge Flier

This is just a quick reminder that if you’re the kind of person who enjoys debate and discussion about the effect of new technology on good old radio, then Radio At The Edge is a realworld event you might also enjoy.

RATE is the Radio Academy’s annual conference looking at how radio is being disrupted by technology, and it’s usually a sell-out, so if it’s of interest get it in your diary now and contact mandy@radioacademy.org to book your place.

Categories
dab digital radio

Build Smaller, Build Cheaper, Build for a Future

Kaukau Transmitter, Wellington, New Zealand

Kaukau transmitter by Phillpc @ Flickr (CC Licence)

Autumn is the conference season in Europe, and I’ve had a busy couple of months talking about DAB Digital Radio and meeting my colleagues from the digital radio industry around the world. A particular highlight was the conference “Quo Vadis Digital Radio”, which was held in Ingolstadt (near Munich in Germany) and organised by the BLM (Bayrische Landeszentrale für neue Medien / Bayern New Media Centre). Germany has had a very difficult relationship with DAB, mainly because of enthusiasm to build substantial networks that was never matched by the broadcasters’ enthusiasm to use them.

 

I wanted to use the opportunity to explain how the UK’s extended lead in DAB uptake means that we’re uncovering issues and problems earlier than other countries. Whilst it’s right to remind people that DAB can be successful, it’s far more valuable to explain what we would have done differently with the benefit of hindsight. We can see back down a road other countries are about to start travelling along, so it seems only fair to tell them where the axle-breaking potholes are.

 

There’s a copy of my presentation (German / English) to read, but the area I felt was most radical was to question how we’d rolled out Digital Radio in the UK, whether or not it was representing a good investment for radio companies.

 

 To briefly recap; the incentive for many stations to migrate to digital was the promise of an uncontested analogue licence renewal. In order to allow each station to have this renewal, the digital radio licence areas were carved up to fit existing analogue licence areas.

 

However a number of other factors conspired to create a situation where the greatest danger to the success of DAB in the UK at the moment comes from the network itself.

 

Firstly, the coverage areas were ambitiously planned to fit together using only 5 frequencies, which is incredibly demanding reuse. In some places two multiplexes using the same frequency have official coverage areas just 10-20 miles apart. Secondly, the digital areas were shaped to fit existing analogue coverage, which is achieved from single high-power transmitters. Matching that shape in digital is far more complicated.

 

The third issue, in my mind, is the most concerning. Commercial Radio has never been responsible for planning or implementing its own transmission. Since the days of ILR, transmission was outsourced – first to the IBA, and then onto its privatised successor, ntl: / Arqiva. There are very few people in commercial radio who have a deep knowledge of radio planning, mast building, transmitter commissioning and so on. We rely heavily on a commercial company (and now about to become a monopoly) to provide this essential service. Whilst the costs for establishing FM were well established, most people in the radio industry were trusting on guidance from Arqiva to give a true picture of DAB transmission costs. If you offer a hungry dog meat……

 

It’s becoming clear (particularly as radio suffers from an advertising recession) that the cost of our networks is out of kilter to the coverage breadth and quality that they achieve, and out of kilter with where demand for Digital Radio listening is. Trying to fix that problem looks a bit like unscrambling eggs.

 

Some of our network cost is inflated because the coverage requirements are unrealistically demanding. We probably shouldn’t have been promising 70%-80% coverage on day one, and The Radio Authority should probably have been more realistic with frequency reuse so that we could have fewer, higher power transmitters. Those things can be resolved, probably by changing digital coverage areas, amalgamating multiplexes and rejigging frequency use.

 

But undeniably some of our network cost is inflated because there was a chance to have a technology party at which somebody else was picking up the bar bill. And now the radio companies are nursing a hangover and an overdraft, and it’s not very funny. One of the benefits of consolidation in the radio industry is that the commercial operators are now getting big enough and confident enough to retake control of more of the technology, and make sure more of the money goes on achieving good quality coverage for listeners, and investment in development of digital radio services.

 

So my messages to my colleagues in other countries who are just starting off down the bumpy path of DAB is to be restrained in network builds, and question in detail where the money is going. Most of the components of a DAB network are the same as an FM network, so why should they cost any different? Network cost is going to consume a lot of your digital investment, and a lot of your profit for a good while yet, so squeeze every cent out of it, and do exactly what’s required to make DAB grow reliably; maybe with smaller  initial coverage, but better quality and at lower costs.

 

In the meanwhile, DAB will continue to grow and evolve in the UK, but hopefully it will do so faster and in more interesting ways now that the broadcasters have realised the value of being more in control of their transmissions.